The COLOR CODEX series — to which SEMIOVOX has invited our semiotician colleagues from around the world to contribute — explores the unexpected associations evoked for each of us by specific colors found in the material world.

When I was 7 or 8, we lived in Tuva, a small republic in southern Siberia — at the geographical center of Asia.

I used to spend a lot of time at home alone, where I’d often contemplate a figurine of a lion (arzylan) straight out of Siberian fairy tales — a kind fairy-tale lion, not an angry one — that I’d watched my uncle carved using traditional Tuvinian technique. Although the stone he used looked firm, my uncle transformed it into a lion’s shape easily, as though working with a piece of soap. He’d employed agalmatolite, a soft stone often used by Chinese carvers to create miniature pagodas. The agalmatolite stone’s color was white: mainly ivory, but with small patches of creamy white, light brown, and grey.

I never grew tired of examining the lion figurine — which is long gone, unfortunately. (The carving above resembles it, though.) The satiny matte surface was pleasant to the eye as well as to the touch; it retained the white agalmatolite’s depth and complexity. There was always something new and interesting — a little detail, a shade, which would change in a blink of light — to discover.

If I want to summon up the feeling of calmness I possessed in those days, particularly during a sunny Siberian autumn, all I have to do is close my eyes and think about that stone lion.

COLOR CODEX: Martha Arango (Sweden) on FALUKORV RED | Rachel Lawes (England) on DEVIL GREEN | Audrey Bartis (France) on KYOTO MOSS | Maciej Biedziński (Poland) on SKIN-DEEP ORANGE | Natasha Delliston (England) on MARRAKECH MINT | Whitney Dunlap-Fowler (USA) on RESURRECTION CANARY BLUE | Ximena Tobi (Argentina) on VILLA MISERIA BRICK | Aiyana Gunjan (India) on LETTERBOX RED | Lucia Laurent-Neva (England) on TEAL BLUE VOYAGER | Charles Leech (Canada) on STORMTROOPER WHITE | William Liu (China) on PINING GREEN | Ramona Lyons (USA) on GOTH PURPLE | Greg Rowland (England) on LAUNDROMAT FUTURA | Sónia Marques (Portugal) on RUNAWAY BURRO | Max Matus (Mexico) on CALIFORNIAN BLUE | Chirag Mediratta (Canada / India) on AUROVILLE ORANGE | Alfredo Troncoso (Mexico) on BORGES GLAUQUE | Josh Glenn (USA) on TOLKIEN GREEN | Clio Meurer (Brazil) on PARIS LUMINOUS GREY | Serdar Paktin (Turkey / England) on AMBIENT AMBER | Maria Papanthymou (Russia / Greece) on AGALMATOLITE WHITE | Sarah Johnson (Canada) on ARMY GREEN | Vijay Parthasarathy (USA) on ALPHONSO YELLOW | Tim Spencer (England) on ELECTRO-EROTIC COBALT | Adelina Vaca (Mexico) on MEXICAN PINK | Onaiza Drabu (India) on TBD | Brian Khumalo (South Africa / USA) on TBD | Ľudmila Lackova Bennett (Czech Republic) on TBD | Gemma Jones (Netherlands) on TBD | Madoka Suganuma (Japan) on BLOSSOM PINK | Cathy Maisano (Australia) on TBD | Jiakun Wang (China) on GEN Z PURPLE | Gianlluca SImi (Brazil) on TECH BLUE | Susan Bell (Australia) on TBD | Jamin Pelkey (Canada) on TBD | Manar R. El Wahsh (Canada) on TBD | Alexandra Ncube (England) on TBD | Dora Jurd de Girancourt (France) on TBD | Carla Moss (Austria) on TBD | Mariane Cara (Brazil) on IPANEMA GOLDGLOW | Katrin Horn (Austria) on TBD | Rajan Luthra (India) on TBD | Hyaesook Yang (South Korea) on TBD | Hibato Ben Ahmed (France) on TBD | Eugene Gorny (Thailand) on BUDDHIST RED | Elinor Lifshitz (Switzerland) on TBD | Jessica Hamel Akré (France) on TBD

Also see these global semio series: MAKING SENSE (Q&As) | SEMIOFEST SESSIONS (monthly mini-conferences) | COVID CODES | SEMIO OBJECTS | COLOR CODEX | DECODER (fictional semioticians) | CASE FILE | PHOTO OP | MEDIA DIET | TATTOO YOU (semioticians’ tattoos).