Blade Runner
Viewers never question Deckard’s humanity… except, perhaps, during this scene.
Josh Glenn is a Kingston (NY)-based consulting semiotician. He is cofounder of the consultancy Semiovox, editor of the websites SEMIOVOX and HILOBROW, and founding editor of The MIT Press's proto-sf RADIUM AGE series. He is an adjunct instructor at RISD and convenor of the monthly online Semiofest Sessions. His books (as writer and/or editor) include The Idler's Glossary, Significant Objects, the family activities guide Unbored, and the 2025 anthology Before Superman: Superhumans of the Radium Age. In the ’90s, Josh published the intellectual zine/journal Hermenaut; in the 2000s, he was a founding staffer and columnist for the Boston Globe's IDEAS section.
Viewers never question Deckard’s humanity… except, perhaps, during this scene.
In the existential jungle, empathy makes a man fitter for survival. But at what price?
In life, as in baseball, things can always get better. Or worse.
“It’s on America’s tortured brow / that Mickey Mouse has grown up a cow.”
It’s not about right vs. wrong, it’s about wit vs. shit.
For one moment, it seemed as though the Eighties might turn out OK.
"I am still trying to approach my work with the same intentions I had as a child."
Parody is an art form for "children who have had imposed upon them a meaningless iconography."
"Between the experiential cunning of the animal and the more self-disciplined and attentive cunning of the man."